Showing posts with label Michigan. Show all posts
Showing posts with label Michigan. Show all posts

Friday, September 2, 2016

Nick Whittaker Discusses Life at the Barn

   If you saw a show in our 2015-2016 season then you are probably familiar with Nick Whittaker. Nick transferred to Eastern last year to pursue a degree in Theatre Arts and Musical Theatre. He made a splash on the Quirk stage last season by appearing as Seymour in Little Shop of Horrors, Gilbert in Anne of Green Gables and Stanley Stubbers in One Man, Two Guvnors! After a successful year at EMU Nick decided to tackle the all too familiar experience for anyone pursuing a career in musical theatre...summer stock.
   After attending a cattle call audition for numerous summer stock theatre companies Nick went to a callback, filled out an application and after two months found out that he would be spending his summer in beautiful Augusta Michigan at the historic Barn Theatre. 
   The Barn Theatre is one of the oldest and most recognized summer stock theatre companies in Michigan. Summer stock theaters hire a group of actors to form a company for the summer and that company of actors rehearses numerous shows and performs them in rep that summer. The Barn also has an apprenticeship program where summer stock actors learn various other skills such as set building, props, lighting and more on shows that they aren't performing in. While at The Barn actors can earn points toward membership into the Actors' Equity Association and work alongside Equity actors in various productions. 
   Now that you know a little bit about The Barn here's the inside scoop from someone who's worked there! 

Q. How did you get hired at The Barn? 
A. "I was hired at the Barn through auditions, callbacks, and an application. I personally auditioned at the North Central Regional auditions, a type of unified auditions that brings together actors with professional theatre companies hiring for summer, year-round, or both. As I am in school still, I only auditioned for summer. Although I had callbacks with other companies as well, I was most intrigued by the Barn because of their fantastic season as well as the history and legacy that it holds. After my auditions, I filled out the rather lengthy application and was offered a contract in about two months." 

Q. What shows are in their season this summer? 
A. "The shows this season are Avenue Q, Buyer and Cellar, Guys and Dolls, Jesus Christ Superstar, The Little Mermaid, The Rocky Horror Show, Singin' in the Rain, and Red, White, and Tuna."

Q. What shows are you performing in? 
A. "I will be performing in five shows total this summer. I was/will be involved in the others on the props team but will not be performing because those shows utilize only Equity performers. In Guys and Dolls, I was Society Max/Con Man/ Havana Bartender. In Jesus Christ Superstar, I was Peter. In The Little Mermaid, I am playing Jetsam. In The Rocky Horror Show, I am a Transylvanian. I will be performing in Singin' in the Rain, but do not know my role yet. The last show of the season I will be doing my props duties but not performing, as it is a two man show." 

Q. What is your favorite show that you've done this summer?
A. "So far, Jesus Christ Superstar was my favorite to perform. I enjoyed the show so much because of course, I've loved the rock opera for many years but it was also a very fulfilling role to play. A show discussing such a ubiquitous and well-known figure like Jesus Christ was a thrill and a challenge because the audience already comes in knowing most of the story so the actor must find ways to bring new facets of the story and the characters to life."

Q. How would you describe a typical work day at The Barn?
A. "Working at the Barn is no small feat, to say the least. Despite lunch and dinner breaks (that are often spent rehearsing the cabaret show that follows each main stage show), the work day every day is typically from 9:30 am to about 12:30 am. The work is intense, the hours are long, and days off are not plentiful. The days can vary but a typical day would start with our meeting, we then break to work areas which is props for me, then get called to rehearsal for the next show throughout the day, lunch/bar show rehearsal next, then back to work areas/rehearsal, dinner, then show assignment which rotates (I've done bar, parking, and ushering), and then get ready and perform the current show at night. After the show is the bar show which features the apprentice company. The bar show changes with each show and is comprised of all genres of music from pop/rock to standard Musical Theatre. After the bar show is done, then you are released to go home."

Q. What do you like most about working at The Barn?
A.  "As I've said, the schedule is very unforgiving and many times I get exhausted and frustrated. However, at the end of the day I feel very fulfilled by being a working actor that gets to perform constantly; it really is a ton of fun. My favorite part is actually the bar show because I get to perform many different styles of music performance which always proves to be thrilling."

Q. What has been your least favorite part about working there?  
A. "My least favorite part is the hours/every other Monday off (for the most part) schedule. It is utterly exhausting but proves to be pretty necessary for how many shows are being put up in this short summer season."

Q. What are some of the differences between doing shows at The Barn and doing shows at EMU? 
A. "There are many many differences between here and EMU, the most significant difference being the rehearsal process. The process is much quicker with the entire rehearsal and tech being within two weeks or less. Another difference is that for EMU, there are auditions for each show with callbacks whereas here, we auditioned to get in and at the beginning of the summer when we got here and then everything was cast (for the most part). As is typical of professional theatre, the expectations are very high, like the expectation that once something is learned musically or blocked, it will be memorized completely the next time it is ran. There are many more but those are the ones that come to the mind at the moment."


Q. What are some skills that you will take away from your experience performing at The Barn?
A.  I hoped to learn what it's like in the professional theatre world and although there are some things here that may differ from other professional theatres, I have really gotten a grasp of it. I came into it not knowing how I was going to be able to digest all of this information so quickly and perform it. I didn't think it would be possible to be performing two different shows (main stage and bar) while rehearsing two others at the same time. However, I acclimated fairly quickly because I focused intently and also had no choice not to. A lot of my experience here has given me proof that, despite whether I get frequent work as an actor or not, I have it in me to work hard and make it in this crazy business.

Thank you for the interview Nick!! We're so glad you had a great time this summer and we can't wait to have you back in the fall! For more information on The Barn Theatre visit: http://barntheatreschool.org/

For more information on our upcoming season visit: www.emich.edu/emutheatre 
 


Wednesday, December 3, 2014

Student in the Spotlight: Stephen Lambert

This week's Student in the Spotlight is...
      Stephen Lambert!
      Stephen Lambert is a senior at EMU majoring in Theatre Arts and minoring in Musical Theatre! He has been seen in The Merchant of Venice, Wedding Band: A Love/Hate Story in Black and White, Fiddler on the Roof, Frankenstein in Love, Doctor Faustus, and The Velveteen Rabbit! His favorite show that she has worked on here is Doctor Faustus! He will also be directing a lab show for the winter 2015 semester!
         Stephen has also always wanted to work on Phantom of the Opera, "I love the music as well as the plot."
         His favorite memory of EMU Theatre is, "Hanging lights in Sponberg, and praying I never dropped a light." 
         After graduation he plans on doing an apprenticeship at a local theatre and then heading to Chicago to start working in the area, "I don't care if it's in lighting, acting, directing, working backstage, or in a theatre office."




Wednesday, November 19, 2014

Take a trip back in time with TINTYPES!!!

"...the Statue of Liberty emerging from the mist. Ah, there she was, the symbol of hope, freedom, of opportunity." –Emma, Act I

EXTRA! EXTRA! READ ALL ABOUT IT!!  

A whirlwind musical revue of over 50 songs is coming your way!!! Explore one of the most exciting periods of American history told through the eyes of a Russian immigrant named Charlie and his interwoven experiences with Theodore Roosevelt, Anna Held, Emma Goldman and Bert Williams!





Take a trip back in time with,  Tintypes, opening this Friday, November 21th 2014! This show also runs the weekend of December 4th through December 7th!!

Conceived by Mary Kyte
with Mel Marvin and Gary Pearle
Musical vocal arrangements by Mel Marvin
Orchestration vocal arrangements by John McKinney
Directed by: Wallace Bridges
Musical Direction: Howard Cass 

We sat down with two of the performers in Tintypes, Sydney Woll and Nick Beezy! Find out what you can expect out of the show and get an exclusive first look at their musical talents!!! 

Performances Are:
November 21 and 22 at 7PM,
November 23 at 2PM
and December 4, 5, and 6 at 7PM,
December 7 at 2PM

Wednesday, February 8, 2012

No Question, No Boundaries, No Reason, No Child...

No question...
...that action can create timeless ripple effects.
EMU Theatre offers the opportunity to encounter Miss Nilaja Sun in No Child... (Feb 9, 10, 11, 17, 18, 19). Originally performed as a one woman show, Miss Nilaja Sun developed her true story into a theatrical production that continues to inspire teachers, students, and anyone who has ever put their foot down.  Miss Sun faced day-to-day challenges as a teacher in the Bronx. But she believed in correcting the faults and standing up for what is right. 

No boundaries...
...when it comes to your ideals, your thoughts, and your courage.
Based on African American Theatre Initiatives, Wallace Bridges (director of No Child...) creates opportunities for African American theatre students and audiences. Bridges recalls a time in his adolescence when teachers and mentors provided him opportunities, as an African American actor. He strives to provide our students and audiences with the chance to participate in performances from the African American community. Similar Bridges, Miss Sun wants what is truly best for her students and ferociously takes steps towards progression.

No reason...
...to hide a crooked structure. 
Bridges discussed the potentially "offensive" language in the production. "There is a lot of swearing," he said. "But it's there as a message."  As soon as Miss Sun begins interacting with her new students, she takes notice of their outlandish use of language. Other teachers brush it off, settle for "They'll never stop doing it no matter how hard you try", and do not support a co-worker's reach for excellence. Similar to Miss Sun, Bridges directly addresses issues in the African American Theatre Community not by wishing , but with high quality and honest productions for the Black Community. (But UNLIKE Miss Sun, Bridges said, "My initiative is supported by faculty." Woo!)

No Child...
...opens Feb 9 and runs through Feb 19 in rep with Dead Man's Cell Phone
Miss Nilaja Sun's actions as a teacher continues to spark perseverance. Attention from past educators of Wallace Bridges continue to fuel his passion for initiatives today. No Child... is a story for anyone who needs a little motivation. Join us in our intimate space, The Sponberg Theatre, leave inspired, and pass it along...


Friday, January 20, 2012

"Dead Man's Cell Phone" by Sarah Ruhl at EMU Theatre


Have you ever asked yourself the morbid yet intriguing question: What will happen to my cell phone after I die? EMU Theatre's production of  Dead Man's Cell Phone is sure to entertain your imagination and leave you chewing on thoughts about our technological mortality. (Performance dates: Feb. 3, 4, 5, 11, 12, & 16.)


One of the top contemporary playwrights, Sarah Ruhl, explores the absurdly profound story of a dead man's cell phone.

Picture this...A woman, Jean, is sitting in a cafe. There is a man sitting across from her and his cell phone begins to ring...

"Excuse me, are you going to get that?"

...(he doesn't respond.)

"Would you mind answering your phone?"

...(still no response.)

As Jean approaches the man, it is revealed he is dead! But every time his phone rings, she answers it! And then she goes to the funeral! And meets his mistress! And his widow! And his mother! 

You may read this and think, "Why are they giving it all away?"
Trust us. That is just the beginning.

Jean sweeps herself into a dark romantic comedy as she helps the memory of the dead man live on in the minds and hearts of his loved ones. Dead Man's Cell Phone is a fast-moving story filled with romance, humor, tragedy, absurdism, and the reality of the secrets we may leave behind in our hand held devices.


Pretty cool, huh? So let's tell you what is so special about EMU Theatre's production of this exciting contemporary masterpiece!

First of all, Director Pirooz Aghssa decided to "double-cast" the role of the dead man, Gordon, and the dead man's brother, Dwight. Which means the SAME ACTOR will play the roles of Gordon and Dwight.  Theatre Arts Major, Eric Hohnke (pictured above), is just the man for the job! With an intense focus on the vocal and physical differences between Gordon and Dwight, Hohnke has been hard at work since he saw his name on the cast list. Both characters have distinct differences (even though Hohnke sometimes changes characters in a matter of minutes!)

Also, student designers are participating in major elements of the show. Emily Clarkson and Haley Cavanaugh are responsible for the lighting and costume designs for Dead Man's Cell Phone


Everyone's been working around the clock to share a piece of high-quality contemporary theatre with an array of audiences. Dead Man's Cell Phone is a story for everyone (and when we say everyone - we mean ages 14+ due to the "F Bombs"). Bring a date! Bring a friend! Bring your Grandma! Come explore disconnects in the digital age. But be careful. You may begin to wonder...Would I ever answer a dead man's cell phone?

For more info...

Dead Man's Cell Phone is running in rep with a production of No Child... Stay tuned for more info!!

Wednesday, November 23, 2011

Five Reasons to See "Go, Dog. Go!"

1) Escape the Cold!
We've all noticed it's been getting colder in Southeast Michigan. EMU Theatre will keep you cozy on December 2, 9 at 7pm and 3, 4, 10 at 2pm with a lovable performance of Go, Dog. Go!

2) Sandwich Juggling Dogs. 
Go, Dog. Go! is about dogs acting like humans. In the show we get to see them juggle sandwiches, tap dance, wear hats, and throw parties. Click here to watch a silly video of a dog acting like a person!

3) Win Prizes!
One lucky winner will receive a giant stuffed puppy and a copy of the book,  Go, Dog. Go! (More information will be provided at the performances.) There will also be a coloring contest, an Imagination Station, and puppy suckers! 

4) Exercise Your Imagination.
Blue-Ray ain't got nothing on EMU Theatre! Use your imagination to create a world full of fun. The show is highly interactive so YOUR presence is crucial to the experience.  

5) Spend Time with Family.
Theatre is a great way to share an experience, outside of "the norm". Go, Dog. Go! will appeal to all ages. So do something nice for a special child in your life and have some fun with EMU Theatre.



Friday, October 28, 2011

Taking Risks and Raising Awareness at EMU Theatre

On November 7 & 8 (Wed & Thurs) at 8pm and November 9 (Fri) at 5pm and 8pm EMU Theatre will be hosting the first Lab Bill of the season with seat-shifting performances of Oleanna by David Mamet and How I Learned to Drive by Paula Vogel. Each show deals with different types of sexual violence towards women. Oleanna is about a bright, young, feminist college student who accuses her professor of sexual assault. How I Learned to Drive follows the story of a young girl, Lil' Bit, who is sexually abused and assaulted by her uncle. Each show will be aired back-to-back both nights but display the issues in two completely different scenarios.


We decided to interview the women who are portraying the victims in the performances. These actresses have been kind enough to talk with us about the emotional process.


Meet Kendra Jones...
Kendra is a sophomore at Eastern Michigan University. Last year, she performed in The Student Written One Act Festival and is a well-loved makeup artist in the theatre department.
(Here are some of Kendra's makeup skills from Imaginary Invalid [photo credit to Randy Mascharka])

We spoke with Kendra about her experience with Olenna directed by Heather Antos. She explained the show is about a power struggle between a professor and a student. Kendra plays Carol, a student who is having trouble in her class and seeks help from her professor, played by Caleb M. Knutson. Carol views her professor as a misogynistic and arrogant man. He takes it upon himself to physically touch her in a way that makes her feel uncomfortable. She soon files a sexual harassment lawsuit against him and ruins his chance of receiving tenure. 

"She’s justified the entire way through. She gets a bit extreme. Personally, I don’t like conflict so I wouldn’t have taken it at far as she does. But she’s not lying about anything," said Kendra. "I am completely 100% on her side."

Kendra explained there is a chance that most of the audience will not take Carol's side and end up feeling sympathy for the professor.  "She’s taking on world issues by herself so she’s acting like a soldier. She’s being very combative," Kendra said. 

Meet Kelley Stonebreaker...
Kelley Stonebreaker is a senior at Eastern Michigan University. Kelley has performed in Rocky Horror, Spelling Bee, Into the Woods, Reefer Madness, and Little Me at EMU Theatre. (Notice ALL of the shows are musicals. This is Kelley Stonebreaker's FIRST straight play at EMU Theatre.)

"Now that I’ve taken enough classes and absorbed all of this information [about straight acting], it’s like a release," said Kelley.

How I Learned to Drive, directed by Sarah Leahy, follows the childhood memories of Lil' Bit (Kelley Stonebreker) and the inappropriate relationship with her Uncle Peck, played by Derek Ridge. The story twists and turns through various ages of Lil Bit as she narrates a situation that most victims hide their entire lives. "It’s difficult for anyone to be in a position of Lil' Bit. But the fact that I have to put myself in this position is challenging," said Kelley.

Uncle Peck takes on the father-figure role for Lil' Bit and is in love with her even when she's little girl. Throughout her life, Lil' Bit experiences several disturbing moments with her uncle and some honestly genuine moments with him as well - like when he teaches her to drive.

Kelley explains the show definitely has moments that will make audiences feel uncomfortable. "If anything I hope that people become more aware of this because it’s a lot more common than people think. Yes, people will be uncomfortable but this happens," said Kelley.

“I hope that they see the truth behind all of this. Because there's a point in her life where she finds a way of dealing and coping and surviving. It might not be the way that everyone does it, but she figures it out. She eventually gets to a point in her life where she is okay,” said Kelley.

We ask audiences to remember the directors, producers, designers, and actors recognize the weight of these issues and have done their best to handle the performances with professionalism.

If you or anyone you know has been a victim of sexual violence, please contact the Rape, Abuse and Incest National Network or visit Eastern Michigan University's Counseling and Psychological Services at Snow Health Center and always remember that you are not alone.


Performances: November 7 & 8 (Wed & Thurs) at 8pm and November 9 (Fri) at 5pm and 8pm. Limited Seating. Tickets $5.

Monday, October 24, 2011

Being Dramatic at Drama Day = Best Saturday EVER


Drama Day 2011

To those of you who were there (Ida, Grand Blanc, Woodhaven, Huron, East Jackson, Howell, Ypsi- Lincoln, Montrose Hill McCloy, Saline) - we don't need to explain it - Drama Day 2011 was a success!

Drama Day is an annual workshop forum presented by EMU Theatre for regional high school students and faculty.  Workshop courses included performance techniques, production, and Teachers' Rountables. (Image Above: Musical Theatre Instructor - Phil Simmons teaches his famous Candyman dance.)

Heather Powers' Stage Combat Workshop turned innocent high school theatre students from this...

...to this...

But the fun didn't stop there...
One of the most-loved courses was the Improvisation Workshop taught by EMU Theatre students Maxim Hunt and Chris Sweet. Improv is a type of performance (usually comedic) in which the actors have absolutely no script and make up the scenarios as they go.

Melanie Schuessler taught the MakeUp: Wounds & Bruises Workshop. Hopefully the parents of the students weren't too freaked out when their children came home from Drama Day.

(We SWEAR it's make up.)

Other workshops included Lighting...

...Painting...

...Props...

...Stage Managers' Boot Camp...

...Movement for the Actor...

...Playwriting...

...Musical Theatre...

 ...Masks...

...and Sound, and Auditions, and Meisner, and Forensics, and Shakespeare, and Directing. Phew!

We had pizza too!!
After lunch we had one more workshop and then...
...watched Imaginary Invalid! After the show, the high school students had a Q&A session with the cast and crew of the show.

We had a great time at Drama Day and we miss all of the new friends we made! Hope to see you all again!